Movie Mature
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Zanuck promised Mature he would keep him away from musicals and stuck to that, casting him in the period thriller Moss Rose; Mature received a $50,000 bonus after shooting completed.[33] His next film was the film noir, Kiss of Death, which had been developed specifically as a vehicle for him.[34] The movie, shot mostly on location in New York, was not a particularly big hit, but was popular, earned Mature some of his best reviews and turned Richard Widmark into a star.
Mature still had an obligation to make a movie at RKO, which dated from before the war. He was announced for Battleground and before eventually being cast in a serious drama about football, Interference, which became Easy Living in 1949, with Lucille Ball.[38]
While Samson was in postproduction, Paramount used Mature in another film, co-starring with Betty Hutton in Red, Hot and Blue, his first musical in a number of years.[42] It was not particularly popular, and Easy Living was a flop, but Samson and Delilah earned over $12 million during its original run, making it the most popular movie of the 1940s, and responsible for ushering in a cycle of spectacles set in the Ancient World.
In late 1949, Mature was meant to fulfill another commitment at RKO, Alias Mike Fury (the new title for Mr Whiskers). Mature refused to make the movie and was put on suspension by Fox.[44] The script was rewritten and Mature ended up making the film, which was retitled Gambling House.[45]
The Robe had been in development in Hollywood for over a decade. In December 1952, Mature signed to play Demetrius in two movies, The Robe and a sequel, Demetrius and the Gladiators.[56] The films were shot consecutively.[57]
The Robe, the first CinemaScope movie to be released (ahead of How to Marry a Millionaire, which was actually the first film shot in the new process), was an enormous success, one of the most popular movies of all time.[58] Veils of Bagdad was not as popular, but Demetrius and the Gladiators was another hit.
In 1954, Mature signed a two-picture deal with Columbia Pictures, giving him script and co-star approval, at $200,000 a film.[65] The first movie he made under this contract was The Last Frontier (1955).
Mature finally made a movie for his own production company, Romina Productions, in conjunction with United Artists and Batjac Productions: China Doll, directed by Frank Borzage, with whom Mature co-produced. Mature and Borzage announced they would also make The Incorrigibles and Vaults of Heaven.[71]
Mature made another movie for Romina and Batjac, a Western, Escort West. It was released by United Artists, which also distributed Timbuktu, a French Foreign Legion adventure tale that Mature made for producer Edward Small and the director Jacques Tourneur.
Mature was reunited with producer Irwin Allen for The Big Circus, shot in early 1959.[73] He then made his second film for Warwick under his two-picture contract with them, The Bandit of Zhobe, following this with an Italian peplum, aka \"sword-and-sandal\" movie, Hannibal, with Mature in the title role. It was shot in Italy, as was The Tartars with Orson Welles. Mature then retired from acting.[28]
After five years of retirement, he was lured back into acting by the opportunity to parody himself in After the Fox (1966), co-written by Neil Simon. Mature played \"Tony Powell\", an aging American actor who is living off his reputation from his earlier body of work. In a similar vein in 1968, he played a giant, The Big Victor, in Head, a movie starring The Monkees. Mature enjoyed the script while admitting it made no sense to him, saying \"All I know is it makes me laugh.\"[citation needed]
He came out of retirement again in 1971 to star in Every Little Crook and Nanny and again in 1976 along with many other former Hollywood stars in Won Ton Ton, the Dog Who Saved Hollywood. His last feature film appearance was a cameo as a millionaire in Firepower in 1979, while his final acting role was that of Samson's father Manoah in the TV movie Samson and Delilah in 1984. In a 1971 interview, Mature quipped about his decision to retire:
Kiss of Death is a 1947 American film noir directed by Henry Hathaway and written by Ben Hecht and Charles Lederer from a story by Eleazar Lipsky. The story revolves around an ex-con played by Victor Mature and his former partner-in-crime, Tommy Udo (Richard Widmark in his first film). The movie also starred Brian Donlevy and introduced Coleen Gray in her first billed role.[4] The film has received critical praise since its release, with two Academy Award nominations.
\"The Exorcist\" is one of the most iconic horror movies of all time, but the set was plagued by so many injuries and issues that the director, William Friedkin, actually invited a priest to bless the set.
Proving the strains of a physically demanding role on a young child, Blair fractured her spine and later developed scoliosis from a prop malfunction during the levitating bed scene. \"I'm crying, I'm screaming; they think I'm acting up a storm ... it is the footage that's in the movie,\" Blair said, as per Looper.
Portman has fond memories of her debut R-rated film, \"Léon: The Professional.\" She was 11 when the movie was filmed. She played Mathilda, a girl whose family was murdered and sets out to get revenge. She then teams up with a much older hit-man, played by a 46-year-old Jean Reno.
The US movie cut excluded a scene of Mathilda kissing Léon. Portman defended this in the 2005 documentary \"Starting Young,\" saying, \"It doesn't cross that line. It's just these two people who are so alone and happen to find each other.\"
With how impactful the story seems to be, how much will it differ from previous entries In a new interview, Gunn talked about the movie, where he revealed that it would be a more mature tale than his previous two outings.
Victor John Mature was born in Louisville, Kentucky, USA, on January 29, 1913. He was born to a father of Italian origin who works in a butcher and a mother of Swiss origin. When...Read more he became a young man, he helped his father in the butchery, but he dreamed of being an actor. He studied theater in Pasadena, worked in some small roles, and auditioned for the movie \"Gone with the Wind\", but did not win any role. He joined the US Coast Guard at the beginning of World War II to become one of the American commanders. After the war, Victor became one of the most famous Hollywood actors, and his fame increased worldwide. Among the most important of his presentations are My Love Clementine 1946 and The Kiss of Death 1947, but he gained what he deserves after his famous films Samson and Delilah in 1949 and The Dress in 1953 . He had one daughter, Victoria. He died of leukemia on August 4, 1999, in California.
Even though the scene contains no actual nudity and only the 12-year-old Fanning's face and hands are shown, the backlash was intense from viewers, critics, and activist groups. The film failed to find a wide release, and only earned $131,000 against its $3 million budget. Fanning herself responded to the criticism, dismissing the furor surrounding the scene. \"It's a movie and it's called acting,\" she argued. \"I wanted to do the film because I thought it might help one person that has happened to and help them overcome adversity in their lives.\"
Just two years later, Shields appeared in another heavily sexualized movie, The Blue Lagoon. At age 14, Shields portrayed a shipwrecked girl growing up on an island with only her cousin (Christopher Atkins) for company. As they reach puberty, they eventually fall in love and even have a child. The Blue Lagoon has several nude scenes involving Shields which raised eyebrows, but the cast and crew claimed most of those scenes involved body doubles.
Long before his famous roles in American Psycho, The Machinist, or The Dark Knight trilogy, accomplished Method actor Christian Bale won critical acclaim at age 13, when he starred as Jim in the 1987 Steven Spielberg war film Empire of the Sun. The movie is essentially a coming-of-age drama set during Japan's occupation of China during World War II.
At just 12 years old and fresh off of her stint on the failed TV adaptation of Paper Moon, Jodie Foster stirred up quite a controversy when she appeared as the child prostitute Iris in Martin Scorsese's 1976 classic Taxi Driver. While not the central figure of the film, Iris still plays an important part when her path crosses with the troubled Travis Bickle (Robert De Niro). Iris attempts to escape her pimp by taking refuge in Bickle's cab; later, he tries to convince her to return home to Pittsburgh, and even offers her money to do so. In the climactic finale of the movie, Bickle kills her pimp and several others in a bloody shootout in order to \"free\" Iris.
At just six years old, Chloë Grace Moretz started her acting career on a disturbing note when she made her big-screen debut in the 2005 remake of The Amityville Horror. In the film, she plays Chelsea, who befriends the ghost of a girl haunting their new home. Moretz later reported that her parents and the film's crew did their best to keep her from learning what the film was about, and she most definitely wasn't allowed to watch the movie when it premiered.
Just a few years later, Moretz would land the role she's perhaps best-known for: vigilante costumed superhero \"Hit-Girl\" in the 2010 movie Kick-Ass and its sequel, 2013's Kick-Ass 2. Compared to most little girls (and most superheroes), Hit-Girl is a hardened and nihilistic figure. Throughout the film, she kills with bloody and reckless abandon, and her dialogue is peppered with plenty of profane one-liners. Upon its release, Kick-Ass met with harsh criticism for the violence and swearing from groups around the world. It also received a well-deserved \"R\" rating from the MPAA, which meant that the 11-year-old Moretz was blocked from watching one of her own movies again. 59ce067264
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