Subtitle Vantage Point
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Even the movie's key storytelling/esthetic gimmick is born of recording technology: The film repeatedly "rewinds" (footage runs backward, in fast motion) to a particular point in time so the action can be followed again from the perspective of a different character. The rewinding usually begins at a moment of high suspense -- as when a child is about to be squashed by a runaway ambulance, for instance -- so that "Vantage Point" becomes a sort of self-contained modern cliffhanger.
"Vantage Point" is set in Spain; dialogue is mostly in English, but sometimes in Spanish, with subtitles. When some children call out "Hola!" from a balcony, this helpful translation appears onscreen: "Hello!"
Logistically, "Vantage Point" must have been incredibly challenging to shoot, and Travis proves himself a heck of a traffic cop. He handles complicated crowd scenes, action sequences and multiple point-of-view shots with skill, but the results aren't particularly memorable. Visual cliches are abundant: In one scene, shots -- linked to loud sound effects -- are cut to match the click-and-flash of cameras; characters' memories are presented in black-and-white slow-motion. At times, Quaid seems to be portraying the Bionic Agent: When he focuses his steely gaze on a possible assassin-camouflaging curtain or a suspiciously tossed package, the image strobes, as if he were drawing on some sort of mutant crime-detection vision power.
Film festivals constitute a privileged vantage point for thinking about \"the transnational dynamics of cinema.\" (1) In screening films from all over the world, they shape film traffic and articulate particular discourses on the globalization of national cinemas. (2) As cultural gatekeepers, festivals presuppose a form of cinematic knowledge organized in discrete and distinct programmatic categories; through their curatorial decisions and selections, programmers (re)order the grids of intelligibility through which we come to understand particular films. Liz Czach eloquently argues that \"programmers are making powerful decisions.... The programming decisions amount to an argument about what defines that field, genre, or national cinema.\" (3)
Translation at festivals is thus both a necessity and a mechanism that shapes how festivalgoers perceive world cinemas; it simultaneously enables curators to screen foreign films and positions festivalgoing as a local experience of international cinematic cultures. In that context, festival organizers have used various techniques to translate and revoice world cinemas for a festival's (local and international) audience. Ranging from simultaneous transcription to interpretation to subtitles, these techniques cannot be thought of as neutral devices that simply enable festivalgoers' experiences of world cinemas. (6) For in fact the translation technique chosen by a festival fundamentally influences how festivalgoers understand a foreign film and its relationship to a festival's curatorial focus.
To that end, I argue that translation techniques at festivals revoice films as an experience of being in the world, thereby reinforcing the discursive and political parameters through which a festival operates. I contend that the translation techniques used by large international festivals exemplify how a festival defines transnational cinematic cultures: these festivals' use of subtitling often both bolsters their international prestige and localizes or domesticates world cinemas. (7) I contrast the ideological effects of such festival translation to the amateur techniques used by smaller, identity-based festivals. Unable to professionally subtitle films, these events have developed ways of translating films that both visualize the work of translators and \"give voice\" to a festival's imagined audiences.
Bringing together six films, all new to Blu-ray and in brand new restorations, Weird Wisconsin: The Bill Rebane Collection packs in a mutant astronaut bothering blissful sunbathers (Monster A Go-Go), a contagion apocalypse as seen from the vantage point of a remote mountain cabin (Invasion from Inner Earth), deadly alien spores from the rocks of Mars (The Alpha Incident), rural gothic and outright horror (The Demons of Ludlow), an eccentric 'body count' movie (The Game) and a comedy smash-'em up that pits three hillbilly stooges against a talking Monster Truck with artificial intelligence (Twister's Revenge).
Right, but that's my point, it requires a \"slot\" be either local or online. The behaviour I had with a very early version of VP, and the behaviour I had with Cinema Intros before that, is that it played exactly one trailer, but it could be either an online or a local trailer at random.
Enter Cow and Egret, an unlikely talking animal spokes-duo with a passion for RXO. Cow and Egret take in the world from their roadside vantage point where they have a front row seat to the comings and goings of RXO trucks. With humor at the heart of the campaign, this odd couple trade playful barbs while dishing out knowledge on all things RXO.
These enhancements clearly differentiate Telestream in the IMF production tool market. No other technology vendor offers workflow automation combined with the caption and subtitle processing capabilities offered in Vantage and CaptionMaker. Using CaptionMaker, users can author, edit, encode and repurpose video captions and subtitles. Then, using Vantage, they can simply include these media files in automated workflows for file transformation as needed when creating primary and supplemental IMF packages.
With CaptionMaker, users create video captions and subtitles for television, web and mobile delivery. CaptionMaker simplifies the process of complying with government regulations, enabling greater access to broadcast content for television, online and mobile viewers. The latest release supports IMSC 1.1 and contains several other enhancements including improved caption and subtitle rendering that makes them crisper and easier to read.
The result of these efforts is a more informed, more engaged, and global citizenry, which is vital to the long-terms interests of the United States from the vantage point of economic prosperity and security.
There is no single congressional committee or executive agency with primary responsibility over all aspects of cybersecurity; each entity involved pursues cybersecurity from a limited vantage point dictated by committee jurisdiction. Many different initiatives exist, but because of fragmentation of missions and responsibilities, \"stove-piping,\" and a lack of mutual awareness between stakeholders, it is difficult to ascertain where there may be programmatic overlap or gaps in cybersecurity policy.
Magnetometers provide high-fidelity observations of the Earth's magnetic field from single- and multipoint in-situ vantage points within the magnetosphere and from distributed arrays of ground-based instruments. These magnetometers can be used to diagnose wave processes and both large- and small-scale current systems throughout the coupled magnetosphere-ionosphere system. In this chapter we review the basic concepts of search coil and fluxgate magnetometers and discuss emerging magnetometer technologies. Following this we discuss the utility of ground-based and in-situ magnetometers in diagnosing magnetosphere and ionosphere phenomena and describe the analysis and signal processing techniques used to study magnetometer data. This includes a discussion of field-aligned and ionospheric current systems, wave power and imaging the magnetospheric system with waves which play a crucial role in energetic particle dynamics, field-line resonances and diagnosing magnetospheric plasma density, and finally substorm dynamics and characterizing the substorm current wedge and substorm expansion phase onset.
N2 - Magnetometers provide high-fidelity observations of the Earth's magnetic field from single- and multipoint in-situ vantage points within the magnetosphere and from distributed arrays of ground-based instruments. These magnetometers can be used to diagnose wave processes and both large- and small-scale current systems throughout the coupled magnetosphere-ionosphere system. In this chapter we review the basic concepts of search coil and fluxgate magnetometers and discuss emerging magnetometer technologies. Following this we discuss the utility of ground-based and in-situ magnetometers in diagnosing magnetosphere and ionosphere phenomena and describe the analysis and signal processing techniques used to study magnetometer data. This includes a discussion of field-aligned and ionospheric current systems, wave power and imaging the magnetospheric system with waves which play a crucial role in energetic particle dynamics, field-line resonances and diagnosing magnetospheric plasma density, and finally substorm dynamics and characterizing the substorm current wedge and substorm expansion phase onset.
AB - Magnetometers provide high-fidelity observations of the Earth's magnetic field from single- and multipoint in-situ vantage points within the magnetosphere and from distributed arrays of ground-based instruments. These magnetometers can be used to diagnose wave processes and both large- and small-scale current systems throughout the coupled magnetosphere-ionosphere system. In this chapter we review the basic concepts of search coil and fluxgate magnetometers and discuss emerging magnetometer technologies. Following this we discuss the utility of ground-based and in-situ magnetometers in diagnosing magnetosphere and ionosphere ph